I remember seeing that tip in a tutorial when I had considered buying NV. Then you're done with it and your NLE will work with native - and noiseless - files.
![neat video plugin fcpx neat video plugin fcpx](https://fcp.co/images/stories/2014_09/comparison.jpg)
I just use neat video in After Effects I'll ID the clips that need it, setup a project, create the noise profiles (some projects you might need only need one or two), add the effect, and hit "render" before I go to bed, leave for a meeting, whatever. So do your edit, and then render out prores (or whatever) of your clips in the edit (add heads & tails for transitions if needed) with NV and re-import color correct on top of those. Try to render neat video only once on some NLE timelines, you'll force a re-render if you tweak any setting like color or contrast or opacity. NEAT VIDEO IS BETTER WHEN IT'S NOT GUESSING - give it a solid noise profile for the specific shot. And if you use custom WB you won't have an existing profile.ĪLL OF THE ABOVE takes seconds (many shots have a good enough flat space, but NV likes a pretty good sized chunk, I think 128px square is the max?), and you can end up with a nice library for shots when you don't have a good solid to tune the noise filtering. I don't know how important WB is for fine-tuning noise, but since WB is adding gain to specific channels, it's probably key for accurate noise removal.
#Neat video plugin fcpx iso
And try to save your profiles intelligently (IE, make a folder with camera name, and name the clips with ISO and WB, like -folder: NX1-> filne name: daylight-1600iso). Use the noise clip to make the auto noise filtering profile and apply that. Or make a point of sticking a card in at the head or tail of a shot so your noise profile card is part of the clip.
![neat video plugin fcpx neat video plugin fcpx](https://3.bp.blogspot.com/-gUYeaIUNfeA/WiSc836a-6I/AAAAAAAAAfM/0vlrLx849k0sKcnei3dnAMmdSxifaETrwCLcBGAs/s1600/Neat%2BVideo%2BPro%2B4.6%2Bfor%2BAdobe%2BPremiere%2BPro%2B%2B%2BPATCH%2B%28FULL%29.jpg)
Slate your noise clips if necessary (but generally, if you have three takes followed by a clip that's a tiny file size, you'll know it's your noise clip). Defocus the lens so you're just shooting noise, and shoot it at the same ISO and WB as the shot. so avoid intense colors), the more it fills the frame the better. Want some tips?Īny shoot that you fear dealing with noise - high ISOs or deep shadows - shoot a second or so of a flat surface, not overly dark or bright (no channels clipped. Neat video is a great solution and the value for the money is impressive.